In the Wild West in the 1860s and 1870s, Sarah and John have founded New Babylon, a city of outcasts of all backgrounds. Haunted by the murder of his family eight years earlier, Django is still looking for his daughter, believing she may have survived the killing. When Django shockingly finds her in Babylon, about to marry John, Sarah - now a grown woman - wants Django to leave fearing he'll put Babylon in jeopardy. But Django, believing the city is in danger, is adamant that he will not lose his daughter twice.

With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.

Scott Valentine is a vampire who is torn between his need to feed and his desire to learn about the world of humans. But when he kidnaps Nina, a beautiful but troubled stripper, his world is turned upside down. For after she discovers that he cannot be hurt physically, Nina tries a new tactic... seduction.

A governor wants to be president, but in order to reach his goal he needs to do what he hates most: being a politician.

A dispute for the inheritance of the father of this family is the motor for this comedy, where siblings Andrea and Hector start a discussion with their aunt, who turns out to be the universal heiress of their father's because they don't comply with the rules established by their father.

A relationship columnist on the brink of losing her job takes a bet with a self proclaimed match maker who guarantees to find her perfect match.

The original intent of this documentary was to tell the story of a couple preparing for their wedding day. During the filming, things took a dramatic and unexpected turn when a mysterious worldwide phenomenon was uncovered. International outcry from governmental agencies, civic groups and private organizations has threatened to thwart this film's release. After careful consideration, the filmmakers remain steadfast in their commitment and moral obligation to expose the truth. The following story is real.

David seriously fancies smart, rich Carrie as soon as he first offends her in a Boston bar. They run into each other again and though she still finds him appalling, David manages to change her mind.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.